Architecture and Symbolism of Valladolid Romanesque

The publication provides meticulous analyses of Valladolid’s Romanesque structures, including churches, monasteries, and other significant landmarks. Each building is examined closely, highlighting its unique architectural features and historical context. In addition to architecture, the book delves into the symbolism present in Romanesque art, interpreting the iconography, sculptural motifs, and decorative elements within their cultural and historical contexts.

Illustrated with high-quality photographs and detailed plans of the monuments, the book visually enhances the understanding of Valladolid’s Romanesque art. It serves as a valuable academic resource supported by an extensive bibliography and references to previous studies on Valladolid’s Romanesque heritage. This scholarly work is essential for both experts in art history and enthusiasts interested in medieval art and cultural heritage.

Architecture and Symbolism of Valladolid Romanesque is a significant contribution to the study of Romanesque art in Spain. Valladolid boasts a rich cultural heritage of Romanesque architecture, and this book underscores the importance of preserving and studying these historical monuments. Through its thorough architectural and symbolic analyses, the book provides a profound understanding of Valladolid’s Romanesque art, highlighting its enduring historical and cultural relevance.

This book is indispensable for those passionate about the history of art and the cultural legacy of Spain, presenting a meticulous and insightful exploration of Valladolid’s Romanesque heritage.

The author, Jesús Herrero Marcos (Palencia, 1950). From a very young age he was interested in the abundant Romanesque architecture of his province. This attraction became, over time, a passion that marked both his studies and his professional life. This led him, in turn, to develop a great fondness for the photography of monuments. He has published several books on the Romanesque architecture of some provinces, delving especially into the symbolic aspects, generally less known than the purely architectural ones and which, however, he considers essential to understand the cultural, religious, artistic and social keys of the medieval period.