Great Hours of Anne of Brittany

Illuminating the past: Exploring the artistry of Jean Bourdichon

The Great Hours of Anne of Brittany, a magnificent Renaissance manuscript originating from Tours, France, in the early 16th century, stands as a testament to its unparalleled artistry. Commissioned by Anne of Brittany, twice Queen of France, the codex represents a pinnacle of illumination and craftsmanship, boasting forty-seven exquisitely illuminated full-page miniatures, along with a historiated initial and over three hundred thirty plant representations along its borders.

Open book facsimile of the Book of Hours of Queen Anne of Brittany, (Bibliothèque Nationale de France, ms. Lat. 9474) bound in natural leather on wooden board with metal clasp and corners.

Jean Bourdichon, the artist behind this outstanding manuscript, showcases a style that aligns with panel painting more than conventional book illumination due to the sheer size and complexity of the miniatures. Drawing influence from his mentor Jean Fouquet, Bourdichon’s work demonstrates a mastery of techniques such as foregrounding, realism, and perspective, transforming these miniatures into akin altarpieces rather than mere book illustrations. Some of the most remarkable scenes include the Nativity, the Flight to Egypt, and the depiction of Judas’ kiss, hailed as some of the most beautiful miniatures in the history of book illumination.

Bourdichon’s adeptness at portraying night scenes in miniatures like the Juda’s kiss echoes the style of Leonardo da Vinci’s Virgin of the Rocks. His skillful use of light and shadow, especially in illuminating lamps and torches, contributes to the compelling drama of these scenes. Gold detailing plays a crucial role in accentuating essential elements and illuminating the depicted scenes, adding depth and radiance to the miniatures.

The manuscript’s uniqueness lies not only in its devotional content but also in its botanical treatise. Featuring an extensive catalogue of over three hundred thirty plants, each accompanied by their Latin and French names, the herbal section stands as a remarkable fusion of devotional artistry and scientific representation. Borrowing from Flemish traditions, the borders teem with lifelike depictions of insects and wildlife, adding a rich tapestry of nature to the pages.

Originally crafted between 1503 and 1508 by Jean Bourdichon, the manuscript found its place in the possession of Anne of Brittany. Following her passing in 1514, the manuscript journeyed through illustrious ownership, capturing the fascination of Louis XII, who housed it in the Cabinet of Curiosities at Versailles. Later, it caught the attention of Napoleon III, showcased in the Louvre for two decades. Presently, it resides in the French National Library as one of its most treasured relics, captivating generations with its unparalleled beauty and historical significance.

The facsimile edition of the Great Hours of Anne of Brittany is complemented by a bookcase for its conservation and a complementary study book made by subject matter experts.

This facsimile is a unique edition of 575 books numbered and authenticated by notarial deed.

Tech Sheet

DATE:

XVI century.

ORIGINAL KEPT:

National Library of France, ms. Lat. 9474. Edition Curmer, 1861.

LANGUAGE:

Latin.

FORMAT:

305 x 200 mm.

PAGES:

476 pages.

ILUMINATION:

47 full page miniatures and 337 big borders decorated with plants and insects.

BINDING:

Bound in leather over wood with metallic angles.

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